Saturday, December 31, 2016

Celebrating the New Year




In honor of New Year's Eve 2016, I wanted to share some thoughts on celebrations of the past, and images of New Year's postcards from the early 20th century. 




New Year's Day

The day devoted is to mirth,
And now around the social hearth,
Friendship unlocks her genial springs,
And harmony her lyre new strings;
While plenty spreads her copious hoard,
And piles and crowns the festive board.
--from The New York Herald, January 1, 1802
 




Excerpt From "A Passing-Bell for New Year's Festivity 

     Aside from the celebration of the day proper, New Year's Eve has usually had a celebration of its own. On this holy night the Druids cut the sacred mistletoe from an oak in the sacred forest, for distribution among the people the next day.
     The Eve has been called "Singing E'en," from the carols that made it vocal. Some churches call it "Watch Night". The congregations meet and pray till five minutes of twelve; there is complete silence and prayer then trill the clock tolls in the New Year, and with its last stroke a joyous hymn bursts forth. The Catholics and many other denominations mark the night with special service.
     In ancient Gallic times, crowds of fantastically garbed men and women ran about begging. They disturbed the vigils of the churches so much , that in 1598  an edict was published forbidding their entrance. Then they roved so freely under their chief "Rollet Follet," and caused such anguish to the sedate and the timid that the legislature forbade their frolic altogether in 1668. Among the French the day is far more hilariously treated than among us. They call it the day--"le jour de l'an."
     The Wassail-bowl was the fountain of all English drinking-songs, and an altar of poetry and mirth generally. It comes from an old Saxon greeting , wes hal!--be hale! A bowl of special ale or other cheering liquor was passed around among the family, and each, as he drank, toasted the rest with a beaming wes hal! The poor used to carry about a brightly beribboned bowl, wherein the charitable would throw money, which the wizard at the tavern would transform into good stout drink.
     In Nottinghamshire the young women, in their best smocks, carried a bowl to friendly doors and sang especial songs. in Derbyshire, the hostess drops her wedding-ring into the punch or "posset," and each of the party, as he takes his ladleful, tries mightily to scoop up the ring to insure marriage before the New Year is itself rung out....
--by Marmaduke Humphrey, 
from Godey's Magazine, January 1896
    





A New Year's Eve Frolic
(As shared by Mamie Dickens, 
daughter of Charles Dickens)

     One morning--it was the last day of the year, I remember--while we were at breakfast at "Gad's Hill," my father suggested that we should celebrate the evening by a charade to be acted in pantomime. The suggestion was received with acclamation, and amid shouts and laughing we were then and there, guests and members of the family, allotted our respective parts. 
     My father went about collecting "stage properties," rehearsals were "called" at least four times during the morning, and in all our excitement no thought was given to that necessary part of a charade, the audience, whose business it is to guess the pantomime. At luncheon someone asked suddenly: "But what about an audience?" "Why , bless my soul," said my father, "I'd forgotten all about that." 
     Invitations were quickly dispatched to our neighbors, and additional preparations made for supper. In due time the audience came, and the charade was acted so successfully that the evening stands out in my memory as one of the merriest and happiest of the many merry and happy evenings in our dear old home. My father was so extremely funny in his part that the rest of us found it almost impossible to maintain sufficient control over ourselves to enable the pantomime to proceed as it was planned to do.
     It wound up with a country dance, which had been invented that morning and practiced quite a dozen times through the day, and which was concluded at just a few moments before midnight. Then leading us all, characters and audience, out into the wide hall, and throwing open wide the door, my father, watch in hand, stood waiting to hear the bells ring in the New Year. 
     All was hush and silence after the laughter and merriment! Suddenly the peal of bells sounded, and turning he said: "A happy New Year to us all! God bless us." Kisses, good wishes and shaking of hands brought us again back to the fun and gaiety of a few moments earlier. Supper was served, the hot mulled wine drunk in toasts, and the maddest and wildest of "Sir Roger de Coverlys" ended our evening and began our New Year.
--from The Ladies' Home Journal, December 1892





 

New Year's Eve Celebration

     Have your decorations in holiday red, holly, poinsettias, etc. Soon after your guests arrive, hand them slips of paper and pencils and ask each one to write slang phrases. Allow five minutes for this, then collect the papers, which should be duly signed, and award the first prize to the one who knows the least and the consolation to the one who knows the most....
     Next provide the guests with paper and pencils, then read aloud ten letters of the alphabet so the guests can write them in the order in which they are given. Now request each one to write a New year's resolution of ten words, each beginning with one of the letters used and in the order in which they were given out.
     About ten minutes before twelve let the hostess seat her guests around a large table, blindfold each one and place a lighted candle in front of each. If candlesticks are lacking one can use apples or turnips hollowed out. On the first stroke of midnight and simultaneously with each stroke of the clock each one of the guests in turn must try to blow out the light before her or him. 
     Only one trial is to be allowed each one. For those who succeed there may be a prize. A pretty Scotch custom that may be introduced here is to put a big dictionary on a bed of holly after midnight, then each one blindfolded should be led to the book and told to open at any page and select a word at random. This word must be read aloud and will be held to predict in some way what the future has in store for the one who makes the test. After this refreshments can be served. It is always a pretty idea to open the windows at the stroke of twelve to let the old year out and the new one in, while all stand to welcome the newcomer and drink to the health of all present.
--from The Book of Frolics For All Occasions
by Mary Dawson and Emma Paddock Telford (1911) 

   



New Year’s Eve in San Francisco During WWI

     “On account of the war there won’t be the usual big New Year’s Eve celebration.” The remark was heard on many sides prior to December 31; but on investigation one found that it was made by habitual stay-at-homes. As a matter of fact, this celebration was the biggest we have ever had. It was not as noisy as some—an indication that we have learned the real carnival style. And it was not as wild as some—proof that we are getting more sensible. But in point of numbers it beat all records. And in point of elaborateness it left the preceding celebrations far, far behind.
     The St. Francis and Palace had larger throngs than ever; the Fairmont had a very large celebration, for the first time; and the Whitcomb celebrated its first New Year’s Eve with every foot of public floor space jammed. So much for the hotels. The cafes were packed to the last seat all night long. The streets were thronged as usual. And the Civic Auditorium held fifteen thousand people, its record gathering. Nobody forgot that we were at war. Indeed, soldiers and sailors, both officers and enlisted men, were numerously in evidence everywhere, having the time of their lives. Patriotism flamed up as the minutes sped from 1917 to 1918. It was a bully night.
     One interesting feature of the celebration was the remarkably large number of strangers who came to town. They came from the dry (alcohol-free) states in droves. Washington, Oregon, Idaho, Utah and Arizona sent great numbers to our hospitable city.
     Soldiers have learned that they can celebrate and have a good time without the inspiration of bubbling wine; but civilians still feel the need of stimulation when they see the old year out and the new year in. So the dry states gave of their citizenship that night, and San Francisco was host extraordinary.  The records of the police show that there was a very small outbreak of intemperance that night—smaller than ever before. Among those who drank to excess were a good many visitors from dry territory. That of course was to be expected. It is a psychological condition too well known to need elucidation.
--from "Social Prattle" by Tantalus, 
from The San Francisco Daily Times, January 5, 1918




 


 


Friday, December 30, 2016

Song of the Day: The Monkees - "Daydream Believer" (Official Music Video)





"Daydream Believer", released in 1967, is probably the most popular and enduring song by the Monkees. It is happy, hopeful and innocent, and a great timeless pop song. The official video is colorful, fun and could have only been made in the 60's!



Davy Jones Maureen McCormick Brady Bunch 1971.JPG

Photo of Davy Jones and Maureen McCormick from the television program The Brady Bunch. (November 23, 1971) Photo By ABC Television link



David "Davy" Jones, the cute lead singer (and everybody's favorite Monkee) would have celebrated his 71st birthday today--he was born on December 30, 1945, in Openshaw, Manchester, England. Sadly, he passed away in 2012. 

The Monkees television episodes originally aired from 1966 to 1968, but reruns of the sitcom were broadcast for many years, introducing new generations of fans to their music.  From 1986 to 2011, the band reunited and toured several times, and even recorded new music.



Photo of The Monkees, May 1967, by Colgems
The Monkees in May 1967 link


Fans remember Davy Jones for his distinctive voice, charm and good looks. Davy's official website is www.davyjones.net. It features pictures, merchandise, biographical information and personal stories from people who knew him.

Davy Jones loved horses, and even trained as a jockey in his teens. In later years, he raced as an amateur, and he kept a herd of mostly rescued racehorses. After his death, his family created the Davy Jones Equine Memorial Foundation (DJEMF), which helps to care for his beloved horses. To find out more, or become a supporter, click the foundation link on his official website, or visit www.djemf.com.

Thursday, December 29, 2016

New Beginnings

Photo by Pete Linforth link


Hello, and welcome back to The Paper Sunflower!

When I started this blog last year, I had hoped to post something every day. I wanted it to be a daily collection of inspiring images, bits of wisdom, and basically a way to share things that I found interesting and meaningful with friends around the world.

I had the best of intentions...and then life happened! 2016 has been a roller coaster year, politically and personally. My poor little blog took a back seat to reality, and I wasn't able to keep up with it as I had hoped. But I am resolving to do things right in 2017!! 

I am, as my blog header states, inspired by the past but living in the moment.I have a passion for old things: antique, vintage and retro are my favorite keywords! I am especially partial to the Victorian and Edwardian eras and the Roaring 20s, but am inspired by the art, fashion, images, wisdom, food and music of other eras as well. And I love to find people who incorporate inspirations from the past into their current creative projects. 
 
I hope to share more of my favorite things with you in the coming year! I plan to continue to explore the wealth of vintage material I have in my own collection, as well as the amazing texts and images that are available online. I also plan to revise and update some of my favorite blog posts from last year. And I will  share links to websites and blogs that I think you may find interesting, if you like the kinds if things I do. And please share your favorite sites with me!

2016 has been quite a year, but its coming to an end. So let's look ahead to new beginnings! I hope you and your loved ones have a happy, healthy and prosperous New Year 2017!


Photo by Nate Embrey link







Sunday, July 24, 2016

Alphonse Mucha

Summer (1899) by Alphonse Mucha (from The Magazine of Art)



Alphonse Mucha (1860-1939) was born on July 24,1860. He was a Czech Art Nouveau painter and decorative artist. He produced many paintings, illustrations, advertisements, postcards, and designs. He was one of the most important artists in the movement  known as Art Nouveau (French for "new art"), which was most popular from about 1890-1910 and his distinctive style was highly influential and often imitated.



Self Portrait by Mucha (1907) (courtesy of  wikiart.org)



Art Nouveau embraced asymmetrical, curved, flowing and often undulating lines, inspired by natural forms and structures, such as those of flowers and plants.


Carnation by Mucha (courtesy of  wikiart.org)



Art Nouveau designs were applied to the graphic arts and print media, as well as architecture, lighting, jewelry, textiles, furniture and ceramics. Everyday objects of the period, such as silverware and cigarette cases, often reflect this style as well.




Art Nouveau Wall Cabinet by Louis Majorelle (Late 19th Century) (link)



The Art Nouveau style was most popular in Europe, and was known by many different names, including Jugendstil in Germany and Scandinavia; Stile Floreale and Stile Liberty in Italy; and Tiffany Style in the United States, because of its association with stained glass artist Louis Comfort Tiffany.




The Tree of Life by Louis Comfort Tiffany (link)



Born in Ivančice, Moravia (currently part of the Czech Republic), Alphonse Mucha initially worked doing decorative painting, primarily painting theater scenery in Moravia and then in Vienna, Austria from 1879-1881. He returned to Moravia in 1881, and did freelance decorative and portrait painting. He was hired by Count Karl Khuen of Mikulov to decorate Hrušovany Emmahof Castle with murals. The Count was impressed with Mucha's work, and agreed to sponsor his formal training at the Munich Academy of Fine Arts.


Amethyst by Mucha (courtesy of  wikiart.org)


Mucha moved to Paris in 1887, and continued his studies at Académie Julian and Académie Colarossi. In addition to his studies, he produced many magazine and advertising illustrations over the next several years.



Advertising Poster by Mucha (1899)
(courtesy of  wikiart.org)


Advertising Poster by Mucha (1896)
(courtesy of  wikiart.org)


Advertising Poster by Mucha (1897) (courtesy of  wikiart.org)



He designed an advertising poster for a play featuring Sarah Bernhardt, the most famous actress at the time in Paris. The advertisement for the play, Gismonda by Victorien Sardou was posted in the city on January 1, 1895, and it attracted positive attention. Sarah Bernhardt was so satisfied with the success of this first poster that she began a six-year contract with Mucha.




Gismonda by Mucha (1894) (link)



In Paris, Mucha found success by producing numerous paintings, posters, advertisements, and book illustrations, as well as designs for jewelry, carpets, wallpaper, and theatre sets. Mucha's work was featured prominently at the 1900 Universal Exhibition in Paris, during which he decorated the Bosnia and Herzegovina Pavilion and collaborated with decorating the Austrian Pavilion.




Austria by Mucha (1900) (courtesy of  wikiart.org)


Mucha used pastel colors in many of his works, which contrasted sharply with the bright colors favored by other poster artists of that time.  His works frequently featured beautiful young women in flowing robes, often wearing flowers in their hair, with flowers sometimes forming halos behind their heads.




Illustration by Mucha (1897) (link)

Calendar--Champagne by Mucha (1897) (courtesy of  wikiart.org)



Calendar--Cherry Blossom (1898) (courtesy of  wikiart.org)



Mucha was often frustrated by gaining fame through his commercial art. He believed that art existed only to communicate a spiritual message, and he wanted to concentrate on artistic projects that were of more importance to him. In addition to his poster art and illustrations, he created sculptures, designs for stained glass, and paintings which depicted historical, mythological and religious scenes.



The Judgment of Paris by Mucha (1895) (courtesy of  wikiart.org)


Mucha spent many years working on what he considered his life's fine art masterpiece, The Slav Epic. It was created as a celebration of Slavic history and given to the city of Prague in 1928. Since 2012, the series has been on display at the National Gallery's Veletržní Palace in Prague.




The Introduction of the Slavonic Liturgy by Mucha (1912) (courtesy of  wikiart.org)


Mucha was married in 1906, in Prague. He and his wife Maruška visited the U.S. from 1906 to 1910. Their daughter Jaroslava was born in New York City. They also had a son, Jiří, born in 1915 in Prague. He later became a journalist, writer, screenwriter, author of autobiographical novels and studies of the works of his father.




Mucha Illustrations from The New York Daily News (1904) (courtesy of  wikiart.org)



After returning to live in Prague, Alphonse Mucha decorated the Theater of Fine Arts, and created murals in the Mayor's Office at the Municipal House, and at other landmarks around the city. When Czechoslovakia won its independence after World War I, Mucha designed postage stamps, banknotes, and other government documents.


 
Alphonse Mucha Designed Artwork on a 1920 Czechoslovakian 100 Korun Note (Courtesy of National Numismatic Collection, National Museum of American History at the Smithsonian Institution (link)



With the rise of fascism during the late 1930s, Mucha's works and his Slavic nationalism were denounced in the press as "reactionary". When German troops moved into Czechoslovakia during the spring of 1939, Mucha was among the first to be arrested by the Gestapo. During his interrogation, he developed pneumonia. Though released eventually, he died in Prague on 14 July 1939, due to lung infection, and was buried there.





Alphonse Mucha's Stained Glass Window in St. Vitus Cathedral Inside Prague Castle Photo by Clayton Tang (link)



Although Mucha's style enjoys great popularity today, at the time when he died, it was considered outdated. His son, author Jiří Mucha, devoted much of his life to writing about him and bringing attention to his artwork. In his own country, there was not much interest for many years. The Slav Epic was rolled and stored for twenty-five years after his death before being displayed publicly, and eventually a Mucha museum was opened in Prague, managed by his grandson John Mucha.



Day by Mucha (courtesy of  wikiart.org)

The Moon by Mucha (courtesy of  wikiart.org)



Mucha's work has continued to experience periodic revivals of interest for illustrators and artists. During the 1960s, Mucha's distinctive art Nouveau style heavily influenced psychedelic poster art. And today, his work continues to inspire, and is appreciated worldwide for its graceful and timeless beauty.




Evening Reverie-Nocturnal Slumber by Mucha (1898) (courtesy of  wikiart.org)



Biographical information paraphrased from wikipedia.com https://en.wikipedia.org/wiki/Alphonse_Mucha
 

Tuesday, March 1, 2016

Smart Shopping 1911



A Picturesque Village Shop, Berkshire, England (source)

Smart food shopping has always been important. Shoppers have always wanted to get the most for their money, while at the same time making sure the food they buy is safe and nutritious. In the early 20th century, there was a growing awareness of the need to be cautious when buying food. Although there were some food purity laws at that time, there was not as much standardization and quality control as there is today. Most stores were independently owned, and some shopkeepers used unscrupulous practices to make money. It was important for shoppers to be aware of such practices so they could avoid them, to buy known brands, and to get to know their local shopkeepers so they could determine who was trustworthy.  The following article appeared in Every Woman's Encyclopaedia, published in England, in 1911. 

Frauds on Shoppers

In this article I propose to deal with food frauds practised by some grocers, provision merchants, and others, whose business it is to retail the food upon which the people live, and I shall endeavour to show the purchaser how she may avoid the fraudulent, and often the dangerous, article palmed off upon her by unscrupulous shopkeepers when she goes a-shopping.


Drinking Coffee (1903) (source)



First I will take an article which is purchased by nearly every housekeeper—coffee. My readers know that when chicory is mixed with coffee the mixture must be labelled accordingly, and must not be sold as pure coffee. How, then, you may ask, can there be any difficulties about that ? Surely we know that we get either coffee or chicory, or a mixture of both ! The law says the packet must be so labelled—what more do we need? But, please, just a moment. How do you know that the stuff mixed with the chicory is coffee, even though it be labelled so? As a matter of fact, there have been cases tried in the police courts which show that, in spite of the vigilance of public inspectors, there are unscrupulous tradesmen who, if they think they are not likely to be found out, will mix anything with chicory, and call it coffee and chicory. 



American Trade Card, Advertising a Trusted Brand of Tea and Coffee (1883)

Recently, the Inland Revenue Commissioners prosecuted a London grocer for selling as coffee something that was very, very different from the real article. Having received complaints from one or two customers, an inspector visited the man's shop. Stowed away in the cellar he found a huge quantity of carefully packed coarse brown powder; it was alleged to be coffee. Investigation brought to light the fact that the powder was a concoction from Germany made from burnt vegetable matter, and that, beyond a deceptive flavouring, there was no trace whatever of the coffee bean in it. Of course, the grocer was heavily fined, as he deserved to be, but that did not alter the fact that a large number of housewives in the neighbourhood had actually purchased from this fraudulent shopkeeper the German mixture, which he had sold for the purpose of making more than legitimate profit.

Postcard (1907) (source)
 
Neither is tea free from the evil work of the unscrupulous trader, although in this case he practises his nefarious work upon the poorer classes only, who purchase tea-dust because they cannot afford tea. But very little of that dust is tea! The factors and tea-blenders sell cases of tea-dust which is perfectly wholesome, but the dishonest shopkeeper is not satisfied with the profit he may make upon this—he sweeps his own shop floors, and adds the darkest of the sweepings to the chest! What dangers to health must lie in those sweepings! Butter was formerly an article that was the subject of endless fraud upon the unwary shopper; but vigorous work on the part of inspectors has brought about a much better and more frequent exhibition of margarine labels.


Girl Eating Bread- Postcard (1904) (source)


The Standard bread agitation has probably done more than any other food movement of recent years towards purifying bread, for in the face of so much attention, both millers and bakers have doubtless been doing their best to "keep their houses" in order, lest the searchlight of the public eye be turned more particularly upon them as individuals than upon bread as a product of food for human consumption. For the moment we may therefore leave bread to the shopper's own discretion, with the note that the consensus of opinion, both medical and otherwise, is that Standard bread is the correct, most nourishing, and natural article.





Of jam, however, a serious note of warning must be struck, and in saying that I do not allude to the products of the several firms whose names are household words, and who have good names to lose, names valued much too highly to be risked for the sake of a little extra profit. The "jam fraud"—if so I may call it—is a particularly artful and pernicious one, one which amounts to a conspiracy between unscrupulous traders and manufacturers. This is how it is worked. A jam manufacturer buys the cheapest fruit he can get; sound or unsound, he does not mind, so that it may be called fruit. If apples are the cheapest fruit he can get, he buys apples and proceeds to turn them into black currant and other kinds of jam. The apples are dealt with in the ordinary jam-making machinery, and then coloured and flavoured with black-currant essence. Pieces of peel and finely chopped core take the place of the small things you expect to find in black currant jam which are in the genuine article—the skins of the fruit. Even the currant essence itself has most likely had very little acquaintance with the fruit after which it is named—it is more often than not a chemical concoction. You see, in the case I have quoted here an actual one, by the way, which was before the police-court—that the manufacturer by these nefarious methods multiplies his legitimate profit on jam-making many times, for whilst the apples may cost him only about £2 a ton, the black currants would probably have cost him more like £20! 


Little Boy With Jam- Postcard (Circa 1910s)

But this class of jam-maker does not put labels on the jars into which he packs his fraudulent "black currant" jam. He has a better way of distributing it than under the cover of his own or firm's name. Instead of this he deliberately sets about conspiring with grocers throughout the country. His travelers go round and offer the retailer the jam at a low price, with the privilege of putting on his own name, and calling the concoction "home-made"! This is just the scheme that pleases the dishonest grocer, for he wants to buy cheaply, he wants to push his name in the district, he wants to make his customers believe that he makes the jam himself—that he has a fruit farm in the country, and a jam factory in town, and so on. And if he be an unscrupulous man he takes the jam with little or no inquiry as to its quality, providing that its taste will pass muster on the palate. Here he is tolerably safe, for, after all, jam is largely purchased for the children. Well, that is the story of how many shoppers are defrauded when they set out to purchase jam. 


Granny Goes Shopping-Postcard (1908) (source)


Of course, if you know your grocer to be a man of integrity, with a well-established family connection in a district where he values his name, you will be proof against this kind of fraud. But do not be led away from the man you can trust by a wondrous display of cheap "home-made jam." Pay a little more and obtain the article which has a reliable name upon it as a guarantee of good quality. 


Illustration by Coles Phillips (1912)






There is no item apparently too small for the attention of the adulterator, for we find cases on record of grocers being fined for selling pepper adulterated with ten per cent of a foreign powder that had no more relation to pepper than a battleship has to a boot. And so the tale might be continued until we had included nearly every item of food and drink. But the examples I have given will, I think, serve to bring home to women who go a-shopping the great care which they must exercise in making their purchases. They should remember that a penny saved is, in reality, ill spent if the result be a long doctor's bill for one of the children particularly fond of jam.



Postcard (1907) (source)

Advice to Buyers: "But," you may ask, " how am I to know when my shopkeeper is defrauding me? The provisions he gives me look all right."
My answer is this:
Firstly: Don't rush too eagerly to the cheapest market. Remember that a good article cannot be produced for nothing. 
Secondly: Deal from a tradesman who has a name to lose, and who has a personality that impresses itself upon you as that of a fair-dealing man.
Thirdly: Make open complaint to your tradesman the instant you suspect him of foul dealing. That will warn him if he is in the wrong; it will be fair to him if you are mistaken. In any case, it will show that you are not the sort of person to be imposed upon with impunity.
Fourthly: Remember that it is a public duty for you to communicate with your local food inspector if you are certain that your tradesman is defrauding you. Your public-spirited action will be of service to others as well as yourself.
Fifthly: In the case of bottled, potted, or tinned goods, buy only the products of well-known makers who have names to lose. In case of complaint, such firms are usually willing to act with all fairness and proper consideration.


Benham's Shop, Cobham, Surrey, England (1912) (A well-known business; the sign outside advertised that it was "established over a century.") (Courtesy of Library of Congress)


From Every Woman's Encyclopaedia, Vol. 4 (1911)

Monday, February 29, 2016

Leap Year and Marriage Proposals


1904 Calendar-Illustrated by Frances Brundage (source)


February 29th comes once every four years--during "Leap Year." An extra day is added at the end of February to compensate for the slight difference between our modern Gregorian calendar, in which a year is made up of 365 days, and the actual length of the orbit around the sun, which takes 365.2422 days to complete. Adding this extra day keeps our clocks and calendars synchronized with the seasons.


Postcard Calendar (1908) (source)



In Roman times, the calendar year had 365 days, and an extra 22 day month every two years made up for the difference. In 46 B.C.E. Roman Emperor Julius Caesar ordered the Alexandrian philosopher and astronomer Sosigenes to devise a better way to structure the calendar year. After consulting with several learned astronomers, he decided that every four years should consist of 366 days. This fourth year was originally called bissextile, and in modern times is called leap year.


1908 Calendar-Illustrated by Frances Brundage (source)


In the 16th century, the Gregorian calendar was developed. The calendar needed to be adjusted, because of a slight discrepancy which was discovered in the calculation of the length of the year. An extra day every fourth year lengthened the time by eleven minutes ten seconds too much, and in 1582, Pope Gregory found that the actual date was ten days behind the calendar. To fix the situation, Pope Gregory omitted the 10 extra days, and declared that October 5 of that year should become October 15. He also decreed that an extra day should be dropped three times in every 400 years to keep things on schedule. For this reason, both 1800 and 1900 were not made Leap Years, and February kept only 28 days. The Gregorian calendar was readily adopted in Roman Catholic countries, but not in Britain (and the Colonies) until 1752, by which time the difference between the Julian and the Gregorian periods stood at eleven days. An Act of Parliament in that year ordained that September 3 should be considered September 14, and the "new" calendar was finally adopted. 



1904 Calendar (source)
 
The origin of the name "leap year" is attributed to an old legend that Father Time takes a "leap" after February 29th. After that date he leaps over the day of the week in which the date would fall in ordinary years. For example, Christmas was on a Friday in 2015. In most years, it would next fall on a Saturday, but because this is a  Leap year, Christmas 2016 will fall on a Sunday. 



Postcard- Father Time (source)

People born on February 29th usually celebrate their special day on either February 28 or march 1, but have few actual birthdays. The composer Rossini was born on "Leap Day" 1792,  and on his 72nd birthday, declared that he was really only eighteen, and had "not finished sowing his wild oats." 



Gioachino Rossini, photographed by Étienne Carjat, 1865 (source)

There is an old romantic tradition that a woman could reverse the usual custom and propose marriage to a man in Leap Year. Although times have changed, it is still more common in the 21st century for a man ask a woman out on a date, as well as to be the one to propose. But the dance of romance has always been complicated, full of subtleties and nonverbal communication, and cannot always be defined by laws and conventions. The following passage is excerpted from a 1916 newspaper article:



The Origin of Leap Year--Its Customs and Legends



The origin of the custom for women to woo, not to be wooed, during leap year, is traced back to a legend of St. Patrick (who lived in the 5th century). As the story runs, the good man was strolling along the shores of Lough Neagh after having driven "all the frogs from all the bogs and banished all the varmints," (from Ireland) when he was accosted bu St. Bridget (aka St. Brigid of Kildare), who with tears and lamentations, told him that dissention had arisen among the women of her nunnery over the fact that they were (denied) the privilege of popping the question. In St.Bridget's says celibacy was not enforced as an absolute rule for the clergy of the church, although it was regarded as the proper state for a man of the sanctuary.



St. Patrick by Currier and Ives (Courtesy of Library of Congress)


St. Patrick was  stern, but he offered to concede to the ladies the privilege of proposing every seven years. Then St. Bridget threw her arms about his neck and exclaimed, "Dear Patrick, I dare not go back to the girls with such a proposal. Make it one year in four." To which St.Patrick replied, "Squeeze me that way again, and I'll give you leap year, the longest one in the lot." Then St. Bridget, thus encouraged, thought of her own husband-less condition, and popped the question to St.Patrick. But he had already taken the vow of celibacy, so he had to patch up her feelings with a kiss and a silken gown. And ever since that time, according to the legend, "If a man refuses a leap year proposal he must pay the penalty of a kiss and a silken gown." While this legend sounds like a myth pure and simple and cannot be found in any of the lives of St.Patrick as written by his followers, it is recorded in several old books and must have been taken seriously in several countries.



St. Brigid of Kildare (source)
In the year 1288 a law on leap year was passed in Scotland and was actually enforced for a long time. The translation in English of this curious edict is as  follows:

"It is a statute and ordained that during the reign of her blessed majesty for every year known as leap year every maiden lady of both high and low estate shall have the liberty to bespeak the man she likes, and should he refuse to take her to be his lawful wife, he shall be fined in a sum of pounds more or less as his estate may be large or small, unless he can prove that he is already betrothed to another woman, in which case he may go free."



A Highland Lassie-Postcard (1910) (source)

A few years later a similar law was passed in France and received the king's approval. It is said that numbers of maidens took advantage of this law. They must have been accepted, as the records show no fines imposed upon the men who were wooed. The same law was in vogue during the days of Columbus in Genoa and Florence, and one of his biographers hints at the time when during leap year several ladies proposed marriage to him, but as he was already betrothed he "escaped their wiles." In England during the early 18th century, the men made merry on the 29th of February, often climbing on the top of barrels of liquor and drinking to the health of the women they expected to propose to them. In the rural districts homely men paraded the streets, singing as they passed the girls: "Woe is me, no lady will propose to me!" 

 
18th Century parade-"Woe Is Me, No Lady Will Propose To Me!"

In the days of King Henry VIII (in the 16th century), Will Sommers, his famous jester, caused much merriment at court by having the maids on duty at the palace propose to him in the presence of the king. Each one made her own little speech, bowing before the court fool. He refused each one with great dignity, much to the amusement of the king. Each maid was presented with a silken gown as her reward. All sorts of leap year tricks were played by the famous jester, whose spontaneous wit was the talk of the English court of the sixteenth century.



Court Jester Will Sommers (source)
 
Even as late as the nineteenth century leap year entertainments were held and women proposed to men in public. Skating parties where the women called for the men and took them to the frozen ponds were the fashion. The men gave exhibitions of skating, after which proposals of marriage were in order. Sometimes the best skater had the question popped to him half a dozen times. Leap year balls and parties were in vogue as well, and altogether leap year in Merrie England seems to have been a gay twelve months....



On the Ice-Postcard (1907) (source)

(One authority) declared that it was both just and proper in case of a refusal of the lady's proposal that she should be presented with a silk dress. This, too, seems to have been practiced for a time, but some of the men were taxed with giving a score or more of gowns. It seems that every maid and widow was seized with the wild desire to "pop the question," and in this way replenish her wardrobe in pay for her mortification in having been refused.



Woman Proposing from The Omaha Bee (02/27/1916)

All these customs have died out, although one occasionally hears of a leap year party being given where the girls ask the boys to dance with them and act as the escorts of the men to supper. All these are merry jests and there are no serious proposals of marriage, although one of our noted writers declares that "women are everlastingly leading us on."

From The Evening Star, Washington D.C. (01/02/1916)



Postcard (1904) (source)



The following excerpt is from and article in Every Woman's Encyclopaedia, published in England in 1912. This article describes the St. Patrick legend, offers commentary on the13th century Scottish law and other customs which were previously mentioned, and then goes on to describe other leap year traditions from around the world.


Leap Year Lore
by Lydia O'Shea

It has been truly but cynically remarked that the (Scottish) Act was passed during the reign of a woman (Queen Margaret), but this merely emphasizes the fact that although Suffragettes—at least, by that name—were unknown at that period, the emancipation of woman was not, and women knew how to stand shoulder to shoulder in the thirteenth century as well as in the twentieth. One wonders what would have been (Scottish Clergyman) John Knox's opinion on this truly "monstrous regiment of women."



Stained Glass Window Depicting Margaret, Maid of Norway, Queen of Scots (reign: 1286-1290) (source) (license)
*(Note: Queen Margaret was actually a child during her reign. See her biography here link)*


In later years similar laws were passed by various countries of Europe, and, moreover, enforced, if we are to believe the amazing statement that in one year alone in Genoa no fewer than 363 prosecutions were instituted against ungallant gallants who had declined the proposals of certain fair damsels. What a glorious harvest the Italian silk mercers must have reaped in those happy days ! Anglo-Saxon women, apparently, were not so exacting as to the material of consolation, for an old Anglo-Saxon chronicle, compiled before the (Norman) Conquest (in 1066), merely observes: "This year, being Leap Year, the ladies propose, and if not accepted, claim a new gown." Sometimes a silk petticoat was given, or even gloves, but a silken gown was the most useful.



Postcard (1904) (source)


Looking further afield, we find some very original methods adopted by love encouraged maidens. The dark-eyed Moravian gypsy girl bakes a... Leap Year cake, and casts it inside the tent of her chosen one as a sign that she is willing to bake for him henceforward. In Sunny Spain a pumpkin pie is the silent messenger;while in far-off Mandalay a lamp in the window is the token of love. On the first day of the year the "love lamp" is lighted at eventide, and if the wished-for one enter the dwelling, the little maid places it in the window no more. Henceforth it is to burn for him alone ; but if love delays his coming, it gleams like a star each night in the casement, either till he comes, or else, love-lorn, she extinguishes it for ever.




Postcard (1904--Postally Used 1905) (source)


One of the most amusing features of Leap Year is the "Leap Year Dance," which is got up by girls, each of whom asks some man to be her escort to the dance ; and she may also choose her partners. No chaperon is required, the man being requested to bring his mother, and so entirely reverse the usual state of affairs. Besides dances, Leap Year dinners are often held, when the hostess is entire mistress of the ceremonies, and the ladies propose the health of the gentlemen.



Postcard (1904) (source)


But when all is said and done, it is very much to be questioned whether more women do not " propose" in the ordinary years ? Not in so many words, certainly not, but by the thousand and one little encouragements which the most womanly woman may give to a shy or diffident lover, though he actually does the asking? Surely woman is all skilled in the delicate mysteries of Love's realm, and has little real need, unless it be done in the spirit of mischief, to undertake a Leap Year proposal....

From Every Woman's Encyclopaedia, Vol 7 (1912)



Fishing Woman Lures Men With Money During Leap Year-Postcard (1904) (source) (*Note: "LSD" stands for £sd, the popular name for the pre-decimal currency in use in the UK until 1971.  The abbreviation is from the Latin librae, solidi, and denarii, referred to as pounds, shillings, and pence.

Although it was unusual for women to actually propose to men during leap year, this custom was celebrated humorously in many early 20th century postcards and comic illustrations. Many of these images portrayed men running away from or avoiding unattractive or overbearing women.



Postcard (1904) (source)

 
Some people wondered if the new spirit of feminism brought in by the suffragettes and other proponents of women's rights would permanently alter social customs regarding marriage. As the world changed, many people felt concerned and even threatened by women's growing economic power and political influence amid changing roles in 20th century society.



Postcard (Circa 1900-1910) (source)

An article which appeared in The Sunday Telegram in Clarksburg W.Va. on February 13, 1916, expressed such sentiments. The unnamed author wrote: 


The Leap Year Valentine 
"He Is in Her Hands This Year!"--How Will This Affect the Valentines of the New Feminist Era?


This is leap year, tomorrow is St. Valentine's day--and we are living in a "Feminist" era. Figure the combination of circumstances and judge for yourself what the consequences may be. Before Feminism came to be the significant force it is credited with being today, leap year was a whimsicality. There were traditions, strange stories handed down to the credulous, of actual cases where women proposed marriage under the privilege assumed to belong to the leap year calendar. And the joke was always good. It helped social merriment...


He Is In Her Hands

Then along with so many other changes in dress, in manners, in customs as well as costumes, came changes in the mating formulas. It became apparent that women occasionally did propose, without waiting for leap year. And Feminism, that specter dreaded of timid men, began to flourish amazingly, and to recognize women's rights to take initiative in business, in society, in personal relations. We-Won't-Get-Married Clubs as well as We-Will-Get-Married Clubs began to spring up, often as a joke, but often, too, quite plainly indicating a rebellious disposition.


From The Day Book, Chicago (01/13/1916)


Here is the Debutante's Club, organized by twenty young women in Brooklyn, N.Y., and pledging each member to ask a man to marry her before the year is out. Miss Adele Huhn was elected president, Miss Mabel Mckeever was elected vice-president and Miss Mae Morse secretary. The club insists that it is not acting jocularly, but has the serious purpose of defying a tradition that has hampered women from the beginning of time.


Illustration by Coles Phillips (Circa 1912)


What effect will such movements, such attitudes of mind, have on the venerable traditions of St. Valentine? Shall she send the tender symbolism to him? Is Cupid's whole game to be revised? The question is not trivial. Under the influence of a new rebellion it is possible that it is possible that a revision of the time-honored sentiments are to find an actual, practical beginning. Many a social change has begun in jest. Many a temple has been pulled down, many a statute rewritten, under the spell of what at first appeared to be a whimsicality....


Postcard (1904) (source)


If we could know all that was said as well as written under the spell of St. Valentine and his festival, we should have a profounder knowledge of human nature, a deeper ethical insight into this thing called Love. We should know whether it is true that the coming of Feminism really is changing our social system, however subtly, or whether masculine and feminine hearts are remaining pretty much the same as they have always been. In the end we shall discover, probably, that, though fashions may change, even fashions of proposal, the eternal elements that determine the social partnership will go on being what they have been since the beginning of time.

From The Sunday Telegram, Clarksburg W.Va. (2/13/1916)


Illustration by Coles Phillips (Circa 1912)


The following article, which appeared in The Day Book (Chicago) in 1916, presents a woman's proposal to a man in a positive light, from the perspective of a women's rights advocate of the era. The next day, an article appeared in the same newspaper, from a young woman with an opposing viewpoint. Both of these women believed in love, but perceived the subtleties of the game of romance differently.



Postcard (1907) (source)


A Happier World If Women Proposed



Los Angeles, Cal., Feb 29.-- Miss Gloria Headington... is a  staunch advocate of the woman's privilege of Leap Year Proposal.

"Leap Year," said Miss Headington, "never should be looked upon in a frivolous light. When taken seriously it is the means of solving one of our great social problems.

"Why should it be such a breach of etiquette for a woman to propose? The present system of courtship is unfair to women. The world is robbed in every generation of some of of its finest mothers, because some man has failed to ask them to wed. The only way to decrease the number of  old maids is to allow women equal rights with men in the matter of proposing, and it is with this thought in mind that I suggested the Leap Year Court at the San Diego Fair.


From The Day Book, Chicago (03/28/1916)

"There are a great many more women in the world than men, and under those conditions it is hardly right to bind womanhood by such conventions as to prevent them getting an even chance in Cupid's game of hearts."

Miss Headington declared that she believed that many men who would make good husbands are too timid to ask girls to marry them..."It is unfair to the woman in love," continued the inventor of the leap Year Court, "to deprive her of the right to express that love as frankly and freely as is man's privilege. A high wall of precedent stands in her way and she dare not violate custom by shattering it. leap year is her one opportunity to break this barrier. Therefore, I believe every woman should rise superior to foolish creed and make nown her love when she feels so inclined. Many hearts are broken because women dare not speak their minds."

"Would you propose to a man?" Miss Headington was asked.

"Well, that's a hard question to answer, because as yet I have never met a man whom I really loved. When I meet that man, I don't suppose he'll give me the chance to propose, because of the long established rules that govern the same. Anyway, I hardly expect to meet him this year. If I do--well, this is leap Year; that's all I have to say.


Postcard (1904) (source)

"If women were not barred from custom by proposing I believe there would be happier marriages. Women are now under a tremendous handicap. They must wait for the man to "pop the question." Many times the man whom they wish would suggest matrimony passes them by and they then must be content with a second choice. Not infrequently women marry men whom they do not care for in the least just for the sake of getting a home and some of the comforts of life. These are the tragedies of our present plan of courtship, and how can marriage without love bring happiness into the home?

"Reformers cry, 'Take the woman out of the commercial world, out of the stenographer's chair and out of the stores.' This, they claim, would better moral conditions. If you really want to bring this condition about, then create more Leap years; let every year be a Leap year. Women are rapidly getting the ballot. Give them along with it the right to propose to the men they love."

From The Day Book, Chicago (02/29/1916)

 

Rebuttal to Miss Gloria Headington from Miss Isabel Wagner


From The Day Book, Chicago (03/01/1916)