Thursday, January 5, 2017

Bird Illustrations by Louis Agassiz Fuertes



In honor of National Bird Day, I'm featuring beautiful bird illustrations from the wonderful 1919 children's book "The Burgess Bird Book for Children" by Thornton W. Burgess. The stories in this classic book feature talking animals, and teach factual information about how birds and other wild animals behave and survive. The book was illustrated by the renowned American ornithologist and artist Louis Agassiz Fuertes (1874-1927).  He was one of America's most prolific and influential bird artists. The Wilson Ornithological Society instituted an award in his memory in 1947. Cornell University holds collection of his illustrations and personal papers. Click on this link for more information. (Link)


Brownie the Thrasher and Chewink the Towhee


Bully the English Sparrow and Chippy the Chipping Sparrow


Chebec the Least Flycatcher and Dear Me the Phoebe


Dandy the Cedar Waxwing


Dotty the Tree Sparrow and Slaty the Junco

Glory the Cardinal and Kitty the Catbird


Jenny Wren  


Longbill the Woodcock


Melody the Wood Thrush and Thrasher the Oven Bird



Redcoat the Scarlet Tanager and Rosebreast the Grosbeak


Redwing the Blackbird


Snowflake the Snow Bunting and Wanderer the Horned Lark


Speckles the Starling


Spooky the Screech Owl 


Welcome Robin and Winsome Bluebird


Yellow Wing the Flickers

Wednesday, January 4, 2017

Old Time Soda Fountains

Illustration by Clarence Underwood (1912)
 
 
The old time soda fountain is one of the most iconic and beloved images of America in the early to mid 20th Century. The counter soda fountain was introduced in 1903 and it quickly became an important part of popular culture, reaching its heyday in the 1940s and 50s.


Soda Fountain Hess Brothers Department Store, Allentown, PA (1913) (Photo courtesy of Wikimedia Commons)


Drugstore and Soda Fountain (Between 1900-1910) (Courtesy of Library of Congress)

Soda fountains were commonly found in pharmacies, ice cream parlors, candy shops, department stores and train stations.


"Soda Jerker" Corpus Christi, TX (1939) Photo by Russell Lee (Courtesy of Library of Congress)


"Soda Jerks" mixed unflavored carbonated water with syrups to make colas and other sodas. They also made ice cream sodas, milk shakes, chocolate malts and egg creams.



"Soda Jerk" (1936) Photo by Alan Fisher (Courtesy of Library of Congress)





Collins Pharmacy, Islip, Long Island, NY (Circa 1915) (Courtesy of Library of Congress)

The classic soda fountain featured goose-neck soda spouts and a large mirror behind a long counter lined with round spinning stools. 


Drugstore Postcard (Circa 1948) (Courtesy of Wikimedia Commons) 


General View of Soda Fountain Area Zaharako's Ice Cream Parlor, Columbus, IN (1974) Photo by Jack E. Boucher (Courtesy of Library of Congress)


Soda fountains became places where tired shoppers and travelers could take a break, and friends and neighbors could meet and socialize, while drinking non-alcoholic beverages. 



Rushing's Drugstore, San Augustine, TX (1943) Photo by John Vachon (Courtesy of Library of Congress)


The cold sodas and other treats appealed to both children and adults, especially in the summertime, in an era before people had air conditioning at home.


Rushing's Drugstore, San Augustine, TX (1943) Photo by John Vachon (Courtesy of Library of Congress)


Many establishments expanded their menus to include meals. Often booths or tables were added. Some evolved into what became known as Soda Shops or Malt Shops, which often featured jukeboxes, and have been celebrated in comic strips, TV shows  and movies. These were popular teen hangouts of the 40's and 50's, where many young couples would go on dates.



Jim Tillma and Antonette Skoda at the Soda Fountain at the Student Union, University of Nebraska, Lincoln. They Will Be Married in June... (1942) Photo by John Vachon (Courtesy of Library of Congress)

Many people are nostalgic for soda fountains. Some have happy childhood memories of them; others long for a time that seems happier and more innocent. Today most drugstores no longer feature soda fountains, but there are a few still left that honor and celebrate the old traditions. And many retro themed diners, ice cream shops and candy shops are decorated to look and feel like old time soda shops, keeping the spirit of the past alive. 


A "soda jerk" serving an ice cream soda in a century-old diner in Bramwell, WV (2013) Photo by PumpkinSky (link) (CC by-SA 3.0)

   






Tuesday, January 3, 2017

Happy Puppies--Postcards From 1908

Good Morning Mr.Bacon

Cute animals have always been a favorite subject for illustrators and photographers. And although human fashions change, pets stay pretty much the same, and are universally beloved. This wonderful postcard series is called "Happy Puppies". Published by Raphael Tuck and Sons in 1908, the Postcards feature timeless images of cute puppies, some kitten friends and a toy pig. All images from www.tuckdb.org (Link)


Who's Coming?

                           
We Are Seven
                             


We Are All Engaged


Mischief


Chums

Monday, January 2, 2017

Song of the Day--"Mona Lisas and Mad Hatters" by Elton John




"Mona Lisas and Mad Hatters" by Elton John was recorded in January 1972 and appeared on the album Honky Chateau. This YouTube video features the original song, with images of people, places and street art of New York City from the 1970s to the present. It is a fitting and beautiful enhancement to this incredible song, Elton John's very best, in my opinion.

According to Wikipedia, the lyrics were written by Bernie Taupin during his first visit to New York City when he heard a gun go off near his hotel window. link 

I find the lyrics far less cryptic than  most of Bernie Taupin's songs. Although his description of New Yorkers as "Mona Lisas and Mad Hatters" is odd, it somehow works with Elton John's exquisite melody to express emotions far deeper than words. 



My interpretation of the song is that although it initially paints a less than flattering picture of New York City, which was infamously crime-ridden in the 1970s, it is ultimately hopeful and positive. The song's protagonist discovers the reality "that rose trees never grow in New York City", and describes what he has experienced there as "this trash can dream come true. You stand at the edge while people run you through." But he is also grateful for the good people he has met: "I thank the Lord there's people out there like you."


Although the "subway's no way for a good man to go down", he admits that "This Broadway's got...a lot of songs to sing. If I knew the tunes I might join in." And although he feels like an outsider, "I'll go my way alone", he embraces the city and his future there when he says "My own seeds shall be sown in New York City," and reiterates "I thank the Lord for the people I have found."
 

Photo by Robert Pastryk (link)



According to Wikipedia link  Elton John has described the song as one of his all-time favorites. He delivered a heartfelt rendition at "The Concert for New York City", held at Madison Square Garden just one month after the terrorist attacks of September 11, 2001. He dedicated the song to emergency workers and their families, as well as to New York City.

To me, this song is a lifelong friend and is cozy music at its best. It never gets old or worn out; it's like cuddling up in a warm, favorite blanket with a cup of tea. It fills me always with a sweet sense of love and hope and longing and gratitude. It always makes me feel a little bit more alive, and thankful for the gifts I've been given and especially for "the people I have found."

 

Photo by Foster & Asher (link)

Sunday, January 1, 2017

New Year's Traditions: The Philadelphia Mummers Parade


The Philadelphia Mummers Parade 1909 (Courtesy of Library of Congress)  

The Mummers parade is held each New Year’s Day in Philadelphia, Pennsylvania. It is believed to be the oldest folk festival in the US. The word “mummer” is derived from Momus, the Greek god of ridicule. The origins of the parade were inspired by Old World customs brought by the various groups who settled in Philadelphia, including the folk plays of the British Isles called Mummers’ Plays and the Swedish and Finnish custom of visiting neighbors after Christmas. The parade began as early as the 1870s, but it was not officially sponsored by the city for a number of years. The first official parade occurred in 1901, and it has grown into a unique and exciting tradition. 
 

Images from the Mummers Parade 1917 (from The Philadelphia Evening Ledger, 01/01/1917)


Many Philadelphians welcome friends and family on New Year’s Day to watch the parade (in person or on TV), and to eat and drink together. Staying warm is a priority; alcohol flows freely, and big pots of soup are often made to feed hungry guests who may be walking back and forth to the parade or visiting other friends and neighbors. Traditional soups include beef vegetable soup and Pepper Pot, made with beef tripe, vegetables, and black pepper.   


Edward Chevers, Musical Director, Lobster Club
(from The Philadelphia Evening Ledger, 01/01/1915)


Mummer's Parade 2011 (Photo by Carol M. Highsmith, courtesy of Library of Congress)


Most Mummers clubs are based in South Philadelphia, but a number of Mummers today (and their fans) live in other parts of Philadelphia and the local suburbs. Mummers are ordinary people, not professional entertainers, but they put a lot of love and dedication into creating elaborate costumes, routines and movable scenery each year, and feel a strong commitment to their community. 


Mummer's Parade 2011 (Photo by Carol M. Highsmith, courtesy of Library of Congress)

The famous “Mummers’ Strut”, is performed traditionally during the parade, and at many local weddings. Often Mummers carry an umbrella or parasol while doing the Strut.  



Charles Dumont, Lobster Club Captain Who Won Prize For Fancy Costume
(from The Philadelphia Evening Ledger, 01/01/1915)


Costumes are brightly colored, and decorated extravagantly with sequins and feathers; face paint is often worn. Traditionally the Mummers, their wives and friends made the costumes, but many of them are now made by professional costumers. Gold colored shoes are often worn, in reference to the parade’s unofficial theme song, “Oh Dem Golden Slippers” by James A. Bland. 


Another favorite Mummers tune is “I’m Looking Over a Four Leaf Clover, written by Mort Dixon with music by Harry M. Woods.




Mummer's Parade 2011 (Photo by Carol M. Highsmith, courtesy of Library of Congress)

Women were not allowed to be Mummers until the 1970s, but some men have historically dressed in women’s clothes during the parade. In recent years, this has mainly been done by the humorous Wench Brigades, who clearly look like men in costume. But early 20th century pictures, such as the ones below which appeared in The Philadelphia Evening Ledger on January 1, 1915, show men at the parade wearing fashionable dresses and shoes, more like modern female impersonators.



Charles Bell, Famous for His Ballet Girl Impersonation
E.W Dillon of Lobster Club


Clubs today compete in one of five categories called Divisions (Comics, Wench Brigades, Fancies, String Bands and Fancy Brigades).
  • The Comics dress as humorous characters or clowns, wearing colorful costumes and often carrying decorated parasols. They may be individual or group performers and children are often involved in this Division. Comics dance to prerecorded music and sometimes use floats. Often they reference politics and popular culture.
  • The Wench Brigades are now their own Division but began as an offshoot of the Comics. Men dress humorously in women’s clothing, traditionally wearing dresses, bloomers and bonnets over long braided wigs. They often carry parasols and wear “golden slippers”.
  • The Fancy Division focuses on elaborate costumes and floats called frame suits, and participants are judged on costume and presentation. Traditional themes are used and categories include King Clown, King Jockey, Handsome Trim, Handsome Costume and Fancy Trio.
  • Mummers String Bands have a unique sound, combining excellent musicianship and elaborate costumes. The instruments that make up a string band are saxophones, banjos, accordions, violins, bass violins, drums and glockenspiel; no brass instruments are allowed. Each string band selects an annual theme, with an elaborate performance that includes precision drilling and choreography.
  • The Fancy Brigades evolved from the Fancy Division. They perform inside, and present a choreographed four and a half minute themed performance with elaborate costumes, sets and props, and dancing reminiscent of a Broadway or Las Vegas Show.

Costumes at The Mummers Museum, Philadelphia, PA (Photo by Carol M. Highsmith, Library of Congress)


Visit www.phillymummers.com to find out more. The Mummers Museum website www.mummersmuseum.com also contains many photos and information about the Mummers past and present. Individual clubs also have their own websites


 
Youngest New Year Mummer in Parade Today--"Buddy" Backich 3 yrs. old, Mascot of the Lobster Club
(from The Philadelphia Evening Ledger, 01/01/1915)


Many modern traditions at the holiday season have ancient origins and symbolism. At the winter solstice, in the darkest and coldest days of the year, people have always craved light, warmth and fellowship. From the European pagan Yule and the Roman Saturnalia to the Jewish Hanukkah and the Christian and (often secular) Christmas, these celebrations have helped people to pass the long nights, connect to one another, and offer hope for the future and the spiritual triumph of light over darkness. Of course, for people living in the Southern hemisphere, the holidays fall in summer, instead of winter.  



Mummer's Parade 2011 (Photo by Carol M. Highsmith, courtesy of Library of Congress)
  

During Saturnalia, the ancient Roman festival in honor of the deity Saturn, which was held in December, there were religious observances and well as public and private festivals. Schools and courts were closed and special clothes were worn. There was feasting, drinking and gift-giving and a general carnival-like atmosphere. Roman social norms were temporarily overturned. For example, gambling was permitted and slaves were waited upon by their masters.



The Philadelphia Mummers Parade 1909 (Courtesy of Library of Congress)


Many later European and American holiday customs grew from the spirit and traditions of the ancient festival of Saturnalia, as well as from Christian religious inspiration. The following article from 1914 gives an overview of some of the origins of what came to be known as “mummery” in Britain and Ireland, part of the historical roots of the  Philadelphia Mummers and other American New Year’s traditions.



Float from the Mummers Parade 1915
(from The Philadelphia Evening Ledger, 01/01/1915)


Happy New Year Customs— Celebrations of the Mummers in Olden Days in England


In England the mummers performed plays, spoke dialogues and impersonated famous people, especially kings and warriors. Songs were sung both by the mummers and their entertainers. Here is one:

To shorten winter's sadness
See where the folks with gladneas
Disguised all are a-coming
Right wantonly a-mumming.

In those days they loved, too, to masquerade as animals, bears and unicorns being especially favored disguises. Scott's couplet summed it up:

Who lists may in their mumming see
Traces of ancient minstrelsy.

At last this mumming came to be a (seen as) a menace as well as a nuisance and (in the 16th Century) King Henry VIII made it a misdemeanor to wear a mask. 

It was George Washington who made the day what it once was in this country. Said he: "Never forget the cheerful and cordial observance of New Year's day." The celebration grew and grew, until a generation or so ago, the scenes enacted at some receptions were simply disgraceful, society having progressed some since it was good form to imbibe until the imbiber quietly slid under the table. 

Of late years there has been a tendency to revive (the custom of) visiting on the first day of the year. But it is all very informal, and every hostess knows each and every one of her guests, which was not always the ease when it was the fashion to have as many as possible…
--from the Anderson Daily Intelligencer,
Anderson, S.C., 12/18/1914